Explain how the men and women in Shakespeare’s Othello misunderstand each other

Analysing the antheral and female relationships in go outiam Shakespe atomic number 18s Othello it is clear the sexes fail to image each different, particularly on the mens part. Whilst the women argon more senesce and tend to overvalue the men, the men are consumed by their vanity and reputation and fecesnot accept women honestly.Desdemona and Othellos insufficiency of understanding for each other contri thoes to their miscommunication. Othello cannot fully trust Desdemona because his cope his in like manner idealistic and he fails to dig out her honest and realistic approach to loveShe loved me for the dangers I had passedAnd I loved her that she did pity them.This implies that Desdemonas affections fuel his swelled head and he loves her for this more than anything else. Othellos worshipping of Desdemona prohibits him from truly understanding herO my fair warriorIf it were instantaneously to die,Twere to be most happy for I fearMy soul hath her cognitive content so ab soluteThat not other comfort succeeds in unfathomable fate.He does not perceive her as human and capable of speckAnd when I love thee not,chaos is come again.Desdemona on the other deliver does not romanticise Othello, just now approaches their love realisti foretelly and maturely. She loves Othello for the person he is and does not shy from the topic of consummationI saw Othellos phiz in his mind.That I did love the Moor to live with him, if I be left behindThe rites for which I love him are bereft meHowever, as much as Othello cannot understand her honest approach to love, nor can she comprehend his connection between their love and his comply. In this respect she overestimates Othello and fails to see his aptitude for jealousyI think the sun where he was born displace all such humours from him.Unwittingly, she wounds his pride by lying about the hankie and pursuing Cassios dispositionI say it is not lostThis is a trick to put me from my suit.Pray you let Cassio be recei ved again.The women are seen by the men as possessions and criteria for their honour. Othello cannot conceive that Desdemona is her avouch person and could put on emotions and opinions separate to his. She shows her assertiveness when she defends Cassio, scarce in doing so questions Othellos judgment. Youll never occur a more sufficient man. Where sexuality is concerned, he seeks complete command over her. Her faithfulness is not only needed for his ego, (Cuckold me) but the possibility that Desdemona has sexual desires frightens and bewilders himO curse of marriageThat we can call these creatures oursAnd not their appetitesIago overly reflects this possessiveness over his wife. He accuses Cassio and Othello of having leapt into his seat which implies he owns Emilia, and is astounded when she defiantly reveals his malice at the endI will not hoodwink my tongueWhat, are you mad? I charge you get you home.Brabantios solution to his daughters marriage holds a similar attitude . Desdemona, a maiden never bold, so still and quiet that she was scared of her own shadow, has been stolen from him. He clearly does not understand his daughter well for we soon see she is strong and assertiveThat I did love the Moor to live with him.My downright violence and turn downMay trumpet to the world.Throughout the feed Roderigos behaviour is a skin rash example of how the men view the women as possessions. Hopelessly romanticising Desdemona, (who is not sensitive of his existence, let alone his love for her) he relentlessly pursues her attempting to purchase her by means of IagoTherefore make moneyIll sell all my land.Iago speaks of Othellos marriage in terms of piracy and of Desdemona as a treasure ship, reinforcing his ideas of women as possessionshe hath tonight boarded a land-carack.Interestingly, Emilia comments on this weakness of all men. In contrast to the mens complete misconceptions about women, Emilia shows awareness and savvy of the opposite sex. She doe s understand that men stereotype women and forget they have their own mindsLet husbands go to bedtheir wives have sense like them they see andsmell,And have palates for both sweet and sourAs husbands have.She recognises the jealousy of mens natures.They are not ever jealous for the cause,But jealous for they are jealous.However, although she compactly predicts what is behind Othellos behaviour, for all her worldliness, she fails to pinpoint the blame to her own husband. This suggests that maybe she doesnt cognize him that well to consider him capable of such malice. The Moors abused by well-nigh most villainous knave.Preoccupied with honour, the men categorise women into either whores or Madonnas, and fail to recognise them as individuals. Desdemona, a real lady, is continually referred to as divine and all the men greatly esteem her. Their respect is destruction to worship. Casio saysYou men of Cyprus, let her have your knees.Hail to thee, LadyRoderigo swears he loves her gen erous to incontinently drown himself. Even Iago says Now I do love her likewise and suggests he would like to sleep with her.Bianca, on the other hand, is immediately shunned for being a prostitute and is not worthy of such high regard. The plays humanization of her undercuts the mens one-dimensional perceptionI am no strumpet, but of life as honestAs you that thus abuse me. unlike Desdemona, men cannot align their honour with such a woman as she has been used and is no longer pure. In contrast to his approach to the divine Desdemona Cassio says of Bianca, I marry her What A customer He is indifferent to her love for him, and Bianca does not realise that he will never take her seriously but always see her as a whoreTis such another fitchew Marry, a perfumed oneDesdemona does not understand how men can label women whores for she insists that such a woman does not exist, and she therefore does not understand mens preoccupation with honour-tell me, Emilia That there be women do abus e their husbandsIn such gross kind?Misogynistic attitudes perpetrated by Iago and eventually developed in Othello reveal a distrust of women, and tramp the lack of understanding between the sexes. To Iago, all women are whores. You rise to play and got to bed to work. He is rude to his own wife and unhesitatingly kills her. wicked whore (He stabs her.) With Iagos manipulation, Othello adopts these views and his divine Desdemona falls straight from Madonna to whore. She has tainted his reputation and injure his ego, (or so he believes) and he must kill her before she corrupts other men. Yet she must die, else shell betray more men. His words to her become vinegarish and scathingI took you for that cunning whore of VeniceThat married with Othello.The combination of their honour and misunderstanding of women makes the men easily jealous. We see this in their quickness to dirt their wives as adulteresses without concrete evidence. Othello is so distrusting, the absence of a handker chief becomes the ocular proof, when ironically he has seen nothing. His jealousy makes him willing to condemn. Damn her, lewd minx Iago also accuses his wife with unfounded suspicion of sleeping with Cassio and OthelloHes done my office. I know not if it be true,But I, for mere suspicion in that kind,Will do as if for surety.The men and women in Othello do not understand each other. The mens preoccupation with honour and romantic ideals of love, leads them to misunderstand women cover them as either whores or Madonnas and possessions for men. The women, in contrast, are more mature and realistic. However women such as Desdemona overestimate the men and are unavailing to empathise with their attitudes, or recognise their jealous natures.