Canova’s “Perseus with Head of Medusa” Essay

This piece, made to replicate the classic classical style, stands tall supra entrance to the Metropolitan M characterum of Art. This sculpture, created by Antonio Canova in marble, was done in the proterozoic 19th century. Historically, the tale of Perseus and how he killed the beast-woman, Medusa, is from eons before, however, the artist chose to recreate this scene from Greek mythology. In addition, Canova uses many techniques that were used by Greek sculptors, he use of detailed anatomy, a combination of stoicism and portrayals of anguish, stiff posture, contrapposto and the draping of the fabric approximately Perseus arms.Perseus stands rigidly, looking at the head of Medusa. His expression is unchanged. One leg caisson disease toward her head, but it does so in a rigid, uncomfortable manner. He holds his brand out on his right, and her head on his left. Fabric is draped by artificial means off his left arm and it falls to the floor behind him. He has the ideal body, with pe rfectly sculpted and toned muscles. Perseus is naked, save a mates of very decorative and ornate sandals. His body is in a curve, with his spine. He bets to be a warrior, and he is triumphant in his defeat of Medusa. A feeling of pride overwhelms one when they look at him, however, it is hard to resuscitate to him, because he does not feel real. He is humanized, but does not appear natural or normal.Medusa, or rather her head, is held by its hair in Perseus left hand. He holds it out from him, in disgust. Her face up is writhing in pain, as she has been decapitated. Her snake-hair is very representational, and doesnt look like real snakes. Still, however, her face does not illustrate the true anguish or pain that she must have felt. It is not naturalistic. She actually appears to be somewhat idealized.This piece evokes feelings of strength, bureau and pride, however, I do not feel it evokes emotion or munificence towards either character. Neither feels very real or natural, a nd thus it is herculean to relate to the sculpture.