'How does Shakespeare use the theme of love to create a comedy?\r'

'â€Å" twelfth composition Night” is a ro compositiontic frivolity with unfeigned revel at its nucleus. The reanimate does eng eradicateer infrequent dark undertones still generall(a)y the genuine write egress and the misunderstanding make it a ridiculous goldbrick. It was write originally for the Twelfth Night celebrations after Christmas in 1602. These celebrations were light hearted and a sentence for revelry. It was sometimes recognise as the â€Å"Feast of Fools” and normal behaviour and rational acts were susp terminationed at this time. Authority was turned up side down. In close universities, private houses and the virtue schools, a passe-partout of Misrule was elected. Usually a servant became Master of the Household for a inadequate period of time. He organised dances, masques and make-believe activities. E genuinelything was allowed; pranks, deception, etc., com humannessd this period between 25th December and sixth January. Afterwards , e reallything goes back to normal and the original hierarchy is erst more than obeyed.Love Poem\r\n notwithstanding though drollery is a large part of the play, be intimate is most definitely the main ascendant. T here(predicate) argon live triangles, cognise based on disguise and neat recognize al regard in the lives of the characters. The play transforms one type of get along for an separate, for example, selfish dresser is transformed to genuine crawl in. This aspect shows that adjust delight in wins through in the end. Shakespe are uses all of the distinct types of roll in the hay to create waggery towards the listening. For example, the self- bash is so masochistic that the listening looks on with humour with the over-exaggeration. Unre quite ad approve in addition makes quite a big wild-eyed impact because the character is seen make a frame in one over of themselves. Twelfth Night is a mixture of all emotions; an earr each(prenominal) allow laug h, cry and fume at the characters that Shakespeare creates.\r\nThere are three characters at the heart of the play snarly in a beat triangle. Orsino is the for the first time that we are introduced to. Shakespeare represents Orsino as a represent of the romantic turn inr, in make do with the idea of cognise. He is humourous at times because of his obsession and the hyperbolise quarrel he uses to talk somewhat hit the hay:\r\n acknowledg handst: chip 1, stroke 1\r\nâ€Å"If medicinal drug be the food of love, play on\r\n pee me the excess of it, that surfeiting\r\nThe appetite may sicken and so die”\r\nThis quotation shows how melodramatic Shakespeare makes Orsino. It is so magnify that the audience would find him derisory as he is portrayed as thinking that no other experience is as good as his utmost(prenominal) feeling for love. He is obsessed by Olivia and is amusive because of his neurotic record. He likewise frequently appears quite fickle in his feelings which adds to his comic nature:\r\n commendation: ACT 1, eyeshot 1\r\nâ€Å"Enough; no more.\r\n‘Tis non so sweet now as it was before”\r\nThis quotation is an example of how Orsino changes his feelings in an instant.\r\n subsequently Orsino is lecture to genus genus genus genus Viola/Cesario approximately men and women in love. He claims to be the model lover, talking about his love for Olivia:\r\n citation: ACT 2, SCENE 4\r\nâ€Å"For such as I am, all true loves are\r\nUnstaid and skittish in all motions else”\r\nHis pulls are made particularly special(a) and he seems unperceiving because the audience is aware that Cesario is of course a muliebrity and that disrespect what Orsino says about women having less capacity for love than men, Viola/Cesario in fact loves him a quite a little and much more constantly than he loves Olivia. This is a good example of dramatic satire. Shakespeare satirises Orsinos exaggerated obsessive form of love.\r\ nThe second character involved in the love triangle is Olivia. Orsino and Olivia are quite standardized in a number of ways unless their main similarity is in their characters. They both pull up stakes funniness in the play because of their obsessive love and their fickleness. Examples of this for Olivia are her obsessive love for her dead comrade and Cesario and how she changes from seven years mourning to loving Cesario and whence(prenominal) changing from Cesario to Sebastian. A quotation for her obsessive nature is:\r\n summons: ACT 3, SCENE 1\r\nâ€Å" take away you non go under mine honour at the stake\r\nAnd baited it all with thunmuzzled thoughts\r\nThat tyrannous heart moorage think”\r\n here(predicate), Olivia is openly expressing her love for Cesario which ends up organism unusual because it is unrequited. She pours her heart out which adds to the nature of the guessing. Olivia criticises Orsinos unimaginative take up of love because it doesnt sound r eal to her. Her actions towards love are really much the same moreover she does not realise this, making her hypocritical and therefore criticising her own way of thinking. Also, she claims that she will never love once again but that all changes when Cesario comes into the picture. Shakespeare creates her character to be an unrealistic and vain, top-class person which shows through in her language. Orsino praises her for her looks, not for her as a person and this once more accentuates their similarities and comic personal lives. This act depicts how shoal Orsino is.\r\n star of the most comical parts of the play to do with Olivia is when she falls in love with Cesario, or who the audience knows is Cesario. This is exaltedly amusing for the audience as they know the truth and they watch Olivia make a shoot of herself. Shakespeare uses love from Olivia to Viola to create a high point of comedy throughout the play. He uses over-exaggerated language once more to really highligh t the shallow feelings of Olivia:\r\n abduce: ACT 1, SCENE 5\r\nâ€Å" permit him send no more\r\nUnless (perchance) you come to me again\r\nTo arrange me now he takes it”\r\nThis quotation is Olivia talking seductively to Cesario, once more openly expressing her feelings for â€Å"him”. Again, comical to the audience, for seeing a woman flirt with other was a very amusing but inaudible of thing at the time when this play was performed. When Sebastian appears on tip a comical nucleus takes place because we rear imagine the blank looks on the characters faces as an identical twin becomes part of the plot. Sebastian becomes a love interest to the fickle Olivia, once more creating comedy because of her changeability. By making Olivia so fickle and over-exaggerated Shakespeare creates a large amount of comedy based near her and the throng she is involved with.\r\nThe third and utmost part of the love triangle is Viola. She disguises herself as a man and serves Ors ino which is comic first-off because of how she changes herself. The audience sees the change and therefore can compare the different reactions and feelings between the characters of Viola and Cesario. The audience would be used to this kind of dramatic behaviour, as a long tradition of plays at this time had these kind of comic complications. They would find it excessively funny seeing a beautiful woman fitted to disguise herself as a man only no other characters able to notice. This is dramatic irony for the audience is let in on the surreptitious but still can watch everyone not in the know create a fortunate and comic atmosphere.\r\nViola is sometimes humorous and is involved in a range of comic situations most of them involved with the love complications in the play. The funniest single film involving Viola has to be her comic duel with Sir Andrew which is set up by Sir toby because both men are rivals for Olivia though of course neither does actually love her. There ar e several comic secs involving Viola where she gets herself caught up in situations that accentuate the comic nature of the play.\r\nIronically Orsino fails to realise that his wonderful clean servant is actually a woman despite the hinting conversations they collect:\r\n bring up: ACT 1, SCENE 4\r\nâ€Å"Thy small pipe is as the maidens organ”\r\nHere Orsino is speaking and commenting on Violas unnatural high, shrill young-bearing(prenominal) voice and he still does not catch on that she is actually a woman. This also has a slightly bawdy tone to it which was very popular at that time and would definitely project made the audience laugh. At the end of the scene the audience realises the romantic comedy is underway as Viola undos her true feelings for Orsino:\r\nQUOTE: ACT X, SCENE X\r\nâ€Å"Ill so my best to hook your brothel keeper\r\n(Aside) Yet a barful strife\r\nWhoeer I woo myself would be his wife”\r\nThe language here is romantic and wistful for Viola has to assist person else, who she perceives not worthy of his love, to love Orsino although underneath she has true romantic feelings for him. Then Orsino sends Cesario to woo Olivia who falls in love with Viola! This is wry and what starts off the love triangle. Shakespeare writes a linguistic communication for Viola to say to Olivia which is romantic, lyrical and paints glorious romantic pictures. It is also quite comical for the audience as they realise Olivia is in love with Viola.\r\nViola can actually be quite witty and we can see this in her conversation with maria:\r\nQUOTE: ACT 1, SCENE 5\r\nâ€Å" or so mollification for your giant\r\nSweet lady”\r\nViola is being rude and sar plodic to Maria referring to her as a â€Å"giant”, therefore commenting on her neediness of height. This is a small indication of what the real Viola is like underneath her male costume. By the end of the comprise, Viola realises that Olivia has fallen in love with her, creating unless more amusement among the audience.\r\nComedy is also involved when Orsino fails to realise Violas feelings despite some heavy hints:\r\nQUOTE: ACT 2, SCENE 4\r\nâ€Å"Of your completion…..About your years, my Lord”\r\nThese are just two of the lines or hints that Viola says when she is in Orsinos company. Viola says a long speech about the sincerity of her love. Shakespeare really goes all-out on the imagery in this section which reflects how Viola is feeling. It is a powerful insight into her life and feelings which is then cast into a shadow by Orsinos weak and construe response.\r\nQUOTE: ACT 2, SCENE 4\r\nâ€Å" notwithstanding died thy sister of his love, my boy?”\r\nThis is comic because even though Viola is her heart out for him, he is besides bound up in his love affairs to notice.\r\nThe duel is a very comic moment because Viola and Sir Andrew are both terrified of each other thanks to of the crafty ways of Sir toby. He also urges them both o n to the engagement. Violas aside line would make the audience laugh:\r\nQUOTE: ACT 3, SCENE 4\r\nâ€Å"Pray God stand for me! A little thing would\r\nmake me describe them how much I love of a man”\r\nThis would be very comical for the audience for it reveals Violas dismay and nervousness towards the fight. Also she is supposed to be a man but everyone thinks that her slightly feeble spatial sexual congress towards the fight is cowardly, and they would probably also doubt her masculinity therefore resulting it into and ironic and comic situation.\r\nIn the final scene there is a mounting good sense of comic confusion, particularly when Olivia thinks she has married Viola then Sebastian himself enters. You could see what confusion this would amount to on stage †everyone looking from Viola to Sebastian and back again. Shakespeare creates a abundant amount of confusion with Viola because of her mistaken identity. Comically, everything turns out more or less well f or her and Shakespeare successfully uses love to create comedy.\r\nShakespeare creates characters in the beginning for comic effect in this play and each of them are in some way involved in the theme of love. Sir Andrew is one of these. He is a figure of fun, but can also be seen as a sad person. The audience feels sympathy for him while laughing at his antics. He has been tricked by Sir Toby into believe he is in love with Olivia, which shows how easily he can be manipulated. Therefore he is constructed as a comic character. Sir Toby tells him to do erroneous things like dance wildly, his appearance is comical to the audience (long, lanky figure, rather dim expression) and most comical of all he repeats Sir Tobys words but misunderstands them:\r\nQUOTE: ACT 1, SCENE 3\r\nâ€Å"Good schoolmaam Accost\r\nI desire better familiarity”\r\nHe gets confused with what people say and this puts a very comical and stupid air about his character. Shakespeare always portrays him as watchish. scarce he also has speeches which make you feel slightly sorry for him:\r\nQUOTE: ACT 2, SCENE 5\r\nâ€Å"I knew twas I for more do call me fool”\r\nEven Sir Andrew is aware that people call him a fool which is a funny, just heartfelt feeling put across by Shakespeare. some other poignant yet comic line is:\r\nQUOTE: ACT 2, SCENE 3\r\nâ€Å"I was adored once too”\r\nA famous line for you can tell his sorrow at being unloved yet you can laugh at his pathetic view on love. The main comic scene for Sir Andrew is the duel in exemplify 3, Scene 4. Shakespeare uses Sir Andrew for a rudimentary element of plot development in Act 4after fighting. Sir Andrew is terrified at the prospect of fighting someone and proceeds to do cowardly actions and act pathetically. This would seem hilarious to the audience because of how Shakespeare portrays Sir Andrew leading up to the fight and during it. Sir Andrew is left distressed and alone at the end for everyone is marrie d and have a happy ending. He does not but still his false love and stupidity casts him to be an important part of the play.\r\nMalvolio is some other character who Shakespeare uses to create comedy in relation to love. He is a puritan, satirised by Shakespeare, and filled to the shore with self love. Malvolio is not a sincere Puritan because of the letter plot in the box guide scene. This cleverly arranged plot reveals what a shammer Malvolio is about lusting after Olivia, as he frowned upon Sir Toby and Maria before, but when it relates to him he doesnt care. This scene is the first comic element of Malvolio; the letter tricks him into smiling inappropriately and wearing awful clothes to impress Olivia, plainly all of this failing dismally in sweet her affections, dramatically increasing the comedy of Malvolios character. In Act 3, Scene 4, the trick is revealed and Malvolio appears very ridiculous as he realises what a fool he has been. Sir Toby is very rude and cruel to him which makes him realise how unhappy his life is and how much disrespect people have for him. These elements do put a damper on the comic play but Malvolio does contribute with his comedy and love based antics.\r\nAlthough Shakespeare uses the theme of love primarily to create the comedy, the play also has much darker undertones. Feste is an ironic commentator on human nature and on the way in which people behave when they are in love. He has a very different perspective on love to the aristocratic figures in the play. Shakespeare ends the comedy with an epilogue from Feste, telling some very bitter thoughts about human nature, love and life. It ends with:\r\nQUOTE: ACT 5 SCENE 1\r\nâ€Å"But thats all one, our play is done\r\nAnd well strive to interest you every day\r\nThis is an acceptance of the sad conditions of life. A very unexpected end to a comedy. Feste is philosophic in all of his bitter songs and they all have poignant lines in them:\r\nQUOTE: ACT 2 SCENE 3\r\nâ₠¬Å"Youths a stuff will not endure\r\nThis is a saying that youth, love and beauty will not last forever. Another sad line is:\r\nQUOTE: ACT 2 SCENE 4\r\nâ€Å"Sad true lover, never find my grave\r\nThis tells us about how people hide away and die for love. Feste provides us with comedy about love but his main graphic symbol in this play is to make the audience come back to their senses and realise the reality of life.\r\nOverall, this play has many ways to show how love and comedy integrate to make a\r\nstory of passion and heartbreak, love and unhappiness. Every character I have analysed here contributes towards the intense tone of the play, giving comedy and love to the audience. Yes, there are a few who reveal the darker undertones but these characters are essential in making the play as provoking, passionate and realistic that it is.\r\nQUOTE: ACT 5 SCENE 4\r\nâ€Å"A great while ago the world begun\r\nWith hey, ho the wind and the rain\r\nBut thats all one, our play is done ,\r\nAnd well strive to please you every day”\r\n'